a passion ignited
My journey in art conservation began in 1994, when I made a bold decision to leave the Faculty of Aeronautic Engineering and pursue a calling I couldn't ignore. It turned out I had a knack for recreating various artistic techniques and styles, which led me to delve deeper into the world of restoration through studies in Rome.
an unconventional path
You might be surprised to learn that my education wasn't rooted in prestigious universities. In Italy, when I embarked on my restoration career, vocational training programs were the norm. In retrospect, I'm grateful for this path. It led me to the esteemed Professor Rodolfo Lujan Lunsford, a UNESCO conservator consultant who had studied and worked with the renowned Paolo Mora at the Istituto Centrale del Restauro. He then decided to dedicate a few years to teaching at the institute where I was studying conservation. This twist of fate brought us together, and upon completing my studies in 1999, he invited me to Nepal to assist him on his first project there. Professor Lunsford became much more than an instructor; his mentorship has been instrumental in shaping me into the conservator I am today.
a world of experience
Nepal marked the beginning of a fruitful collaboration with The American Himalayan Foundation and John Sanday Associates. While initially managing projects between Italy and Nepal, Asia beckoned with increasing opportunities. By 2004, I was entrusted with leading projects in Nepal. John Sanday further broadened my horizons by introducing me to restoration projects in Bhutan and China, solidifying my decision to settle in Asia. Thailand added another dimension to my experience, where I tackled the restoration of artworks from diverse origins and materials.
expertise and dedication
Wall painting conservation is my area of specialization, and I possess extensive experience in this field. However, my projects have encompassed a wider range of artistic creations. My repertoire includes the restoration of:
- Architectural Elements
- Paintings
- Sculptures and carvings
- Illuminated manuscripts and textiles
Wall paintings, stuccowork, and various surfaces like sandstone, marble and adobe.
On diverse supports such as canvas and wood.
In a variety of materials including polychrome wood, stone, clay, and metal.
Such as Tibetan illuminations and thangkas
empowering communities
My work in Asia extended beyond restoration. I actively trained local individuals, equipping them with the skills to preserve their cultural heritage. This dedication to conservation has not only safeguarded artistic treasures but also empowered local communities.
leading by example
Throughout my career, I've thrived in leadership roles, overseeing and guiding trainees and employees. My meticulous approach involves active participation in every restoration phase, including measurements and comprehensive documentation through photography and specialized software.
looking ahead
Presently, I'm a freelance conservator based near Cologne, Germany. I'm constantly seeking out new projects and bringing them to fruition.