My initial foray into ink paintings primarily served as studies for the reconstruction of missing wall paintings in Tubchen Gonpa. I devoted my time to this artistic pursuit before or after project hours and even during days off, maintaining the dexterity of my hands. The figures portrayed were meticulously copied from the monastery, allowing me to compose them on paper, arranging each element to suit my personal taste.
The overwhelming beauty and intricate detail of ancient Tibetan art can sometimes obscure the elegance of the lines and the mastery of the original drawings. It is this very essence that I seek to highlight in my work. Focusing primarily on details and compositions from 14th-15th century wall paintings found in the temples and caves of Upper Mustang, I strip away the color and even the shading, to reveal the underlying grace of line and form. By working in black and white, I allow viewers to appreciate these captivating themes and details in a fresh and insightful way.
In aligning with my artistic preferences, I aimed to revisit the essence of traditional Tibetan art creation, harking back to a time when images weren't merely realistic reproductions but representations of a purer space inhabited by pure beings.
