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In winter

, I participated in a project at the

Christian

Hypogeum

in Ardea, Italy, under the supervision of the "Soprintendenza per i Beni Archeologici del Lazio". My work involved the consolidation and cleaning of a pagan nymphaeum from 2nd century BC and Byzantine frescoes from the 6th to the 9th century AD.

In

, I contributed to a project for the

Archaeological

Civic

Museum

of Velletri, Italy, also under the supervision of the "Soprintendenza per i Beni Archeologici del Lazio". This project focused on the consolidation and cleaning of the

Sarcophagus

of

the

Civitana

, dated back to the 3rd century AD

From

to

2009

, I was engaged in a research project at the

University

of

Bologna

, Italy, concentrating on the "History, Iconography, Meaning, Aesthetics, Materials, and Techniques in Tibetan and Himalayan Art" at the Department of Linguistic and Oriental Studies, under the guidance of Prof. Erberto Lo Bue. This project culminated with the publication of the book

Wonders

of

Lo:

The

Artistic

Heritage

of

Mustang

.

From 2001 to 2005, I worked on private collections of icons and easel paintings in Rome, Italy, restoring paintings on wood and canvas under the supervision of Rodolfo Lujan Lunsford, my former professor and mentor. During this period, my freelance work largely dependent on the free time I could allocate, as I was also involved in other projects with

.

In

, I worked on the consolidation of Giambattista Tassi’s frescos in the "Stanza della Terra" at

Palazzo

Doria

Pamphilj

in Valmontone, Italy, working for the company "E. Zivieri."

In

, I was involved in the conservation and restoration of frescos and gilded stuccos at the

Church

of

Santa

Maria

del

Trivio

in Rome, Italy, also working for the company "E. Zivieri."